All Categories
- Aesthetic Presets
- Cinematic Presets
- Portraits Presets
- Bright & Airy Presets
- Wedding Presets
- Travel Presets
- Film Presets
- Vintage Presets
- Beginners Presets
- Black & White Presets
- Food Presets
- Instagram Presets
- Mobile Presets
- Moody Presets
- Nature Presets
- Product Presets
- Professional Presets
- Real Estate Presets
- Sport Presets
- Summer Presets
- Wildlife Presets
- Winter Presets


free presets for lightroom mobile
Free Mobile Lightroom Presets
With free Lightroom Mobile presets, editing photos is easy: it requires nothing but one click! These free presets for lightroom mobile are perfect for professional and amateur photo enthusiasts, who would love to make their photos look clear and polished. Great for travel, lifestyle, or portrait shots they make editing a breeze and have some gorgeous results!
Post Title :
free presets for lightroom mobile
Presets Name :
Free Mobile Lightroom Presets
Brand :
File Type :
DNG , .XMP
Compatibility :
Mobile, Windows, Mac
Price :
Free To Download
How to Use
Free Mobile Lightroom Presets
on Mobile ( iOS & Android ):
- Adobe Lightroom Mobile is downloadable from the App Store or Google Play.
- Download and unzip the preset files and you will get DNG on your iOS & Android.
- Open up Lightroom Mobile and either create/sign on an Adobe account.
- Import the DNG preset file: Launch Lightroom > tap three-dot menu > Import Presets > select the preset files on your device.
- Open a photo in Lightroom mobile, then swipe up on the checklist of presets at the bottom to view all associated with your account.
- You can now tap on the imported preset and a TOOLS-based organizer will pop up where you need to paste (“APPLY”) this specific preset on your photo.
- Make any adjustments if necessary and save/export your edited photo.
- How to Use Presets on Windows
- Unzip the downloaded files that will be in XMP format.
- Open the Lightroom desktop application.
- There, click on File > Import Profiles and Presets.
- Choose the folder containing your unzipped preset files.
- Tap Import to import the presets into Lightroom.
- 3> Open a photo, go into the Develop module, you wil see the Presets panel on left side and Look for the preset.
- Swipe the sliders to adjust pieces of the photo, then save off a copy of what you changed.
- How to use Presets on macOS:
- Download and unzip the preset files on your Mac.
- Open and select Lightroom desktop on your Mac.
- File — Import Profiles and Presets…from the top menu.
- Find the preset files on your Mac and open them.
- Press on Import to use presets in Lightroom.
- Open a photo in the Develop module and navigate to the Presets panel, choose a preset.
- Edit the photo to your liking when finished save it or export the edited version.
- Additional tips:
- If you sync your presets with Lightroom CC desktop, they will automatically appear on lightroom mobile when you’re logged in with the same Adobe account.
- This is a workflow option for consistent editing using Lightroom presets, no matter the device. The import differs slightly by platform but the process is simple on all devices. After you have the presets set, the rest is as simple as a click or tap for some big time savings when you’re editing.
free presets for lightroom mobile
Setting | Value | Descriptions
Basic Panel (Tone & Presence)
| Section | Setting | Value | Description |
| Basic | Temp (White Balance) | As Shot (0) | Retaining the original shot’s temperature. |
| Tint (White Balance) | 0 | Retaining the original shot’s tint. | |
| Exposure | -0.2 | Slightly darkening the overall image. | |
| Contrast | +19 | Moderately increasing the overall contrast. | |
| Highlights | -46 | Recovering a good amount of detail in the brightest areas by darkening them. | |
| Shadows | +85 | Aggressively brightening the dark areas to reveal maximum detail. | |
| Whites | +15 | Gently brightening the extreme white points. | |
| Blacks | +46 | Significantly brightening the darkest points, resulting in a lifted, matte, or “faded” black look. | |
| Texture | 0 | No change to the fine surface details. | |
| Clarity | -12 | Gently softening the image edges and mid-tone contrast for a slightly gentler/dreamier look. | |
| Dehaze | +2 | Very slight reduction in atmospheric haze. | |
| Vibrance | +8 | Very slight boost to the intensity of muted colors. | |
| Saturation | 0 | No change to the overall intensity of all colors. |
Tone Curve Panel




HSL / Color Mixer Panel
| Section | Setting | Value | Description |
| Color Mixer (HSL – Hue) | Red Hue | +20 | Shifting Reds strongly towards Orange. |
| Orange Hue | -22 | Shifting Oranges strongly towards Red. | |
| Yellow Hue | +17 | Shifting Yellows moderately towards Green. | |
| Green Hue | -63 | Strongly shifting Greens towards Yellow. | |
| Aqua Hue | -8 | Slightly shifting Aquas towards Green/Teal. | |
| Blue Hue | -20 | Moderately shifting Blues towards Cyan/Aqua. | |
| Purple/Magenta Hue | 0 | No change to Purple or Magenta color. | |
| Color Mixer (HSL – Saturation) | Red Saturation | +26 | Moderately boosting the intensity of Red tones. |
| Orange Saturation | +15 | Moderately boosting the intensity of Orange tones. | |
| Yellow Saturation | -36 | Moderately reducing the intensity of Yellow tones. | |
| Green Saturation | -57 | Heavily reducing the intensity of Green tones. | |
| Aqua Saturation | +38 | Moderately boosting the intensity of Aqua tones. | |
| Blue Saturation | +14 | Gently boosting the intensity of Blue tones. | |
| Purple/Magenta Saturation | 0 | No change to Purple or Magenta intensity. | |
| Color Mixer (HSL – Luminance) | Red Luminance | -5 | Very slight darkening of Red tones. |
| Orange Luminance | -13 | Slightly darkening Orange tones. | |
| Yellow Luminance | +50 | Heavily brightening Yellow tones. | |
| Green Luminance | 0 | No change to Green brightness. | |
| Aqua Luminance | -2 | Very slight darkening of Aqua tones. | |
| Blue Luminance | -22 | Moderately darkening Blue tones. | |
| Purple/Magenta Luminance | 0 | No change to Purple or Magenta brightness. |
Colour Grading Panel
| Section | Setting | Value | Description |
| Color Grading (Shadows) | Hue | 213 (Blue) | Coloring the darkest areas with a moderate blue tint. |
| Saturation | 15 | A gentle intensity for the shadow color tint. | |
| Luminance | 0 | No change to the brightness of the Shadows via color grading. | |
| Color Grading (Highlights) | Hue | 7 (Red/Orange) | Coloring the brightest areas with a very subtle warm red/orange tint. |
| Saturation | 5 | A very low intensity for the highlight color tint. | |
| Luminance | 0 | No change to the brightness of the Highlights via color grading. | |
| Blending | 100 | The shadow and highlight tints blend smoothly across the midtones. | |
| Balance | 0 | Default balance between Shadows and Highlights. |
Detail Panel
| Section | Setting | Value | Description |
| Detail (Sharpening) | Amount | 40 | Applying a moderate amount of overall sharpening. |
| Radius | 1 | Applying sharpening to fine details. | |
| Detail | 25 | Primarily applying sharpening to edges, protecting smooth areas. | |
| Masking | 14 | Applying sharpening mainly to detected edges, slightly protecting smooth areas. | |
| Section | Setting | Value | Description |
| Detail (Noise Reduction) | Luminance | 25 | Applying a moderate amount of reduction to grayscale noise. |
| Color | 25 | Applying a moderate amount of reduction to colored speckles (chroma noise). | |
| Detail/Contrast/Smoothness | Default/Moderate | Moderate preservation of detail and smoothness during noise reduction. |
Calibration Panel
| Section | Setting | Value | Description |
| Calibration | Red Primary Hue | +15 | Shifting the underlying Red channel towards Orange. |
| Red Primary Saturation | +15 | Moderately boosting the saturation of the Red channel. | |
| Green Primary Hue | +26 | Shifting the underlying Green channel strongly towards Yellow. | |
| Green Primary Saturation | -30 | Moderately reducing the saturation of the Green channel. | |
| Blue Primary Hue | +1 | Virtually no change to the Blue channel color. | |
| Blue Primary Saturation | +38 | Strongly boosting the saturation of the Blue channel. |

